Breuer’s “SEXUAL SUBLIMATION” destined for the MAMO Art Center at the top of the Le Corbusier Cité Radieuse, iconic architectural landmark. It is a work of art using light to enquire about sexual vibration. Breuer’s uses temporality through the variation of intensity in rapport to color and telepathy to render the immaterial sensual.
He sets himself apart as he sees an opportunity to renegotiate previous notions of conceptualism as simply contemplative. Instead, his phenomenological understanding pushes him to create a condition in which he questions the phenomenon of love. It is through the use of the seamless integration of light and color as a dialectical antagonistic choreography.